Cars and traffic serve as a good metaphor for Cairo's contrasts. As I sat in the traffic, I had nothing to distract me from listening to the calming call to evening prayer from the minarets. I could admire the ancient, silent Pharaonic statuary in the median strip which looked like it was carved yesterday. I could watch the old men washing away the dirt on the highway banisters by hand, one pole at a time.
I could appreciate the tricked out Renault.
I wish I could have captured it on film. The car, checkered black and white, had to be 20 years old if a day. It glowed neon blue in the dark, with its interior and exterior add-on lights. Its aftermarket chrome hubcaps glinted from under the lifted fenders. Best of all it sported
For me, that Renault will always be Cairo. Old and new, jumbled together in a way that works, even if not in the most attractive manner. The city is the same way. New apartment buildings, intentionally unfinished on the topmost story to avoid taxation, creep their way from the Nile into Greater Cairo to threaten the foot of the Great Pyrimids. Pharaonic statues, unmarked by time, stand amidst buildings which look old and worn-out but were built yesterday in comparison. The city is scattered with billboards advertising familiar brands in Arabic, but held by European or American models.
The airport reminded me of the Luxor in Las
The riverboat casinos in the Nile cinched it for me. Some float. Most are buildings made to look like boats which will never move downriver. Many have neon paddle wheels flashing at the rear, none of which work. All glitz, no function. But they seem to attract people none-the-less, just like the Renault.
I'll give Cairo another chance tomorrow. After all, the hotel restaurant offers a hookah, called a "shisha" in Egypt, with your meal and belly dancing on Saturday nights....
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